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Pacy and thought-provoking … Michael C Hall and Jennifer Carpenter in Dexter: New Blood. But it’s no longer pure, it’s cut with a lot more …” This is the only time he trails off in the middle of an analogy, I think because he doesn’t actually know what you cut drugs with. And I do still feel like there’s a dusting or a vapour of that energy that exists in him, and we see it. In those earlier seasons, he says, “It was fantastic to be completely unbound by any ethic beyond whatever you constructed for yourself. “I don’t know that he’s the most reliable narrator on that front but it seems plausible.” “He claims that he’s not capable of authentic human emotion when we first meet him,” Hall recalls. He had reservations about reviving the role: “I didn’t want it to be some sort of nostalgia piece where we did a recontextualised version of the same sort of story arcs.” But the new season presents us with quite a different protagonist, one who, having tried to desist from his homicidal urges and monastically eschew all meaningful human contact, is on the cusp of realising that that’s not possible.
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For those who have never seen it, Dexter by day is a forensic technician specialising in bloodstain pattern analysis, which is what makes him such a supremely competent and undetectable murderer – to really get under the skin of this plot device takes a lot of what the censors call “injury detail”. Its overriding mood is really fun – a kind of vinaigrette of a show, very buoyant and emollient in its script and visuals, inescapably rather astringent with all the blood and whatnot. Reviewers, stage and screen, have found his performances technical, varied, challenging and erudite, which makes his decision to return to Dexter a little surprising. He was a graduate of New York’s Tisch School of Arts in the mid-90s, with a solid and swift progression from playing Shakespearean leads off-Broadway to roles such as the Emcee in Cabaret in Sam Mendes’s celebrated Broadway production. If you didn’t own a TV, you would peg him immediately as a stage actor, classically trained. Just from a practical point of view, he is an absolute joy to interview, no baggy filler words, his voice as clear as a bell. Hall speaks with extreme deliberation, weighing every word and leaving unabashed, gigantic pauses between one thought and the next. “As far as we can tell, a mix of spaniel, long-haired dachshund and her ears are very much like a papillon.” So the dog definitely exists: not even Dexter could invent that mutt. Photograph: c.Showtime/Everett / Rex Feature ‘It was very fun’ … Michael C Hall in Dexter, 2011. His first marriage was to the fabulous Broadway hoofer Amy Spanger in the early 00s. My wife and I, our dog is sick and she wants to make sure she’s OK.” He married Morgan Macgregor, a writer, in 2016, after an elopement and brief marriage to his Dexter co-star Jennifer Carpenter in 2008. He’ll talk about that in a minute, but first, he says: “I have to just respond to this text very briefly. Dexter: New Blood has more complexity and less puckishness, certainly, than the first two series. Which is fortunate, since, in a highly unusual move, Showtime has brought Dexter back to life after an eight-year hiatus, and what looked like an extinction event, back in 2013. In fact, he looks pretty much the same as he did in Six Feet Under, playing David Fisher, right at the start of the century – he has one of those very structured faces, its features and angles carved so surely that there’s nowhere for them to disintegrate into.
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M ichael C Hall’s face is weirdly immutable – he looks no different now, at 50, from a decade or more ago, when he would loom down from giant posters as Dexter, the footloose serial killer.